“The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.”
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A transphobic woman is not a feminist; she is overly concerned with policing the bodies and expressions of others.
A woman against reproductive rights — to use bell hook’s own example, and an issue close to your heart — is not a feminist; she prioritizes her dogma or her disgust over the bodies of others.
An ableist woman is not a feminist; she holds some Platonic ideal of what a physically or mentally “whole” person should be and tries to force the world to fit inside it."